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production slate used on Lady Madonna project

Chris Cloyd’s “Lady Madonna Project”

 

Some months ago the ikan brand had a chance to travel to Nigeria, with Anna Schwaber and Director Chris Cloyd for his documentary entitled the “Lady Madonna Project,” for the Western African Development Support Organization (WADSO). Initally, Anna piqued my interest by sending this, written by Chris:

“We will be filming a documentary piece on the dedication of the Madonna Hospital that WADSO helped fund and complete. The story will explore the culture and the problems facing the town of Umuahia particularly in healthcare or the lack thereof while also staying with the Bishop of the Diocese. Working so closely with the community is going to mean great access and insight to people and stories. Here is the link to the IndieGoGo project with all the information thus far: http://www.indiegogo.com/Lady-Madonna.”

 Chris has written an excellent description of The Lady Madonna Project on his SUCCESSFUL IndieGoGo page. I highly recommend going and reading it.

With that in mind and details clarified, Anna and I spoke more regarding the production and their needs based on the kind of shooting they’d be doing–wide open shots, lots of interviews, sometimes in very low lighting, with limited space while traveling light. I couldn’t help but recommend the iLED312 kit and a production slate to make sure they could sync audio in the field. They were game. Here’s a video they were able to throw together for us. Personally, I love the raw feel of the video.

http://vimeo.com/33565691

The beginning reminds me of the take away shows on la blogotheque.

 

After they wrapped shooting, they provided me with some text on the ikan gear they used and a video that showcases not only the gear but also the culture of people surrounding them.What I think matters even more here, however, is the education and experience that came with trying to document such a culture. In an interview I had with Chris upon their return to the States, I really got a better idea of the issues the town is facing and what they saw:

“Religion plays a huge part in the community. It is the telephone tree, the town hall, and the safe harbor in a storm. Though not everyone treated at the clinics is religious, someone in their family got the word through religious circles. It is hard actually to imagine Nigeria without the Church. Like family, religion is a bedrock in Nigeria in a way it hasn’t been for some time in developed nations. The Church acts as a social buttress in many ways, picking up the slack where government fails the people. It is able to pool resources and deliver them in a targeted way to the community that the corruption in government would never allow.

Alcohol consumption didn’t seem any more or less prevalent than in any other society. Due to the strong familial bonds and desire to help ones family, there was far less evidence of homelessness. That said, the utter poverty of those in the bush and what in Nigeria would pass for a dwelling could not be considered much better than Skid Row.

Corruption in Nigeria, like many places around the world, is a daily course of business. The elections were held while we were there and people were far less concerned with issues of healthcare, infrastructure, or the economy as they were about having their votes actually counted. Our first experience with this system came on the second day. At the local airport in the capital, Abuja, we were informed that we had too many bags and would have to pay an additional fee if we wanted to make our flight. Sounds a lot like the States, right? Well this bag fee came out to the nice round price of $1000. That was a bit of a shocker. Granted, we all did have the international limit of bags, half of which were stuffed to the gills with various medical supplies, but even by American standards, that was pretty steep. So we pooled our money together, handed it to Fr. Francis, and our intrepid guide went to do our bartering. Obviously that price was too high, but it wasn’t the airline, it was the cost of the additional fuel. It couldn’t cost that much for the additional fuel, but we were Americans and could afford to pay. It went back and forth like that for some time. There was much wringing of hands and gnashing of teeth, but when all was said and done, we paid a cool $350. I don’t think the good Father offered them absolution for their kindness, but I’m pretty sure things would have turned out differently had he not been in the Clergy. I’m also pretty sure that the extra money would have gone straight into the pockets of the baggage men he negotiated with.

The chiefdom is in many ways like the city council. Chiefs are people with a position of honor, whose obligation as a chief is to watch after and protect the community. It is less of a spiritual designation as it is a political one. Chiefs settle disputes in the local community, care for the sick, and allocate village resources. There are several chiefs in any given community, but like a mayor, there is one chief or “Eze” whose say carried more weight. It is said that to become a chief one must have killed a lion. This is to say the the person receiving the honor must have done something big for the community. We were extended this honor because of our commitment to the Madonna Hospital and our journey across the ocean, although our distinction is probably more akin to having been given the key to the city.

Shamanism is present in Nigeria, though less as a reaction to the heavy Christian presence in the South as much as it is an alternative for those with nowhere else to turn. Often those without the means to see a government doctor will turn to shaman or witch doctors to treat that which ails them. This of course merely prolongs treatment leading to complications down the road that are much more difficult to diagnose. The medications that are needed so desperately in Nigeria are so common in developed nations that it would be laughable if the actual conditions weren’t so dire. The medical supply room at one of the best bush hospitals was one half full shelf that any CVS would put to shame. With so many people barely able to put food on the table, it is no surprise that some would turn to the more economical, if less effective, route of spiritual healing.”

Here is their testimonial of the ikan iLED 312 kit:

“The compact LED 312 kit was really the key ingredient for shooting on location in Umuahia, Nigeria for the Lady Madonna project. Sometimes the only light that was present or even available indoors was the light we provided. The power situation being unreliable, this unit really provided just the barebones to get some compelling content we’d otherwise been without. It’s compact size travels well with batteries that hold enough charge to get us through a good day’s worth of filming. It’s ability to mount with the swivel-head either directly on the hot-shoe of my Canon 7D or to a light-stand, made it versatile and perfect for all run-and-gun lighting demands. An absolute documentary filmmaking essential. Thanks iKan!”

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Gratis 7 review ikan equipment used “in the wild” on documentary “RISING FROM ASHES”

Sometimes your product sells itself. Sometimes people like to help, go beyond the expected and act from grace. That’s the way Gratis 7 Media group is. If you haven’t heard of them, I highly recommend you go educate yourself (here’s a link). Their latest film, RISING FROM ASHES, documents the struggles of creating a Rwandan national cycling team and the life of the local peoples–in a place which many’s freshest memories are of the genocide in 1994, between the Hutu and Tutsi ethnic groups. (For a refresher on the conflict , “Origins of Tutsi and Hutu

…What’s more, they even reviewed the ikan equipment they brought with them to Africa, covering their usage (and benefits) in rugged territories. This is the video they provided us (and we didn’t even ask!) Yes, these guys are epic.

http://www.vimeo.com/17856150

“I can’t thank you enough…We literally used [our equipment] every day. The lights were used for every BTS interview and we used the small LED quite a bit as accent lights in the field. It proved to be the perfect set up for this production. We would have never had time to set up hot lights with the pace we were running…Also the monitors worked out for a interesting purpose. I was able to watch the footage from the GoPro cameras on the monitor as the camera has no way of showing the footage. It was clutch for this. Also, the one thing I was not expecting was how much we used the backpacks. They were used everyday.”

Thank you, again, TC, Jeremy, and the rest of Gratis 7 for pursuing your own dreams. They are a benefit to us all! I hope to see this piece and more inspirational projects from Gratis 7 this year.

One more thing.

We here at ikan want to wish you a happy New Year!  And once more, congratulations to our Contest Winners! Again, if you havent had a chance to view the entries, go here, or view our previous post for the top three winners.

So  remember (because remembering is so much more a psychotic activity than forgetting), if you need help leveling the playing field in 2011, ikan is at your side!
–The ikan team

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F3 Video Review!

Certainly, you’ve all heard about our F3 Friction Follow Focus by now and, I’m sure, are all dying to get one. Well, if you’re interested in learning some more about it from other users, definitely check out this video on offthebend.com that reviews the F3. After you get a chance to test one out yourself, feel free to let us know what you think!

Enjoy the review!

[youtube=http://www.youtube.com/watch?v=62yr1vPbidg]

 

Happy follow-focusing,

Kerianne

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In Review: Ikan VX-9 Monitor

Anyone who has ever shot using an external monitors knows that an accurately calibrated external monitor provides much more accurate framing, focus and exposure determination than the camera’s LCD screen. jib or Steadicam shooting makes external monitoring absolutely essential. And DSLR shooting can benefit greatly from an external viewing device.

The question is always how large a display is needed and is practical. I suppose that is driven by a number of factors. A 9″ display is a bit large to mount on top of small to medium size camcorders for hand-held work. For tripod work, I find the popular 5-6″ displays too small. All things considered, I believe that Ikan chose the proper size to introduce a monitor of its specific feature set at the reasonable price point of $1,149.

Click Here to finish the review from DV Magazine!

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Filmmaking Central reviews the VX9!

[youtube=http://www.youtube.com/watch?v=De0Q9dOKX00]

Just when we couldn’t hear more positive buzz about the VX9… Filmmaking Central heaps more praise onto the monitor.  Stay tuned as we continue rolling out new members of the VX monitor series!!

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The ikan VX9 on the set of 24, with DP Rodney Charters

[youtube=http://www.youtube.com/watch?v=Mv23LOYosB8]

[caption id="attachment_363" align="alignleft" width="150" caption="Rodney Charters, on-set."][/caption]

Check out what Rodney Charters has to say about the brand-new VX9 from ikan.  He recently used it on a stunt sequence for an upcoming episode of the popular show.

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