Tag Archives: Documentary
production slate used on Lady Madonna project

Chris Cloyd’s “Lady Madonna Project”

 

Some months ago the ikan brand had a chance to travel to Nigeria, with Anna Schwaber and Director Chris Cloyd for his documentary entitled the “Lady Madonna Project,” for the Western African Development Support Organization (WADSO). Initally, Anna piqued my interest by sending this, written by Chris:

“We will be filming a documentary piece on the dedication of the Madonna Hospital that WADSO helped fund and complete. The story will explore the culture and the problems facing the town of Umuahia particularly in healthcare or the lack thereof while also staying with the Bishop of the Diocese. Working so closely with the community is going to mean great access and insight to people and stories. Here is the link to the IndieGoGo project with all the information thus far: http://www.indiegogo.com/Lady-Madonna.”

 Chris has written an excellent description of The Lady Madonna Project on his SUCCESSFUL IndieGoGo page. I highly recommend going and reading it.

With that in mind and details clarified, Anna and I spoke more regarding the production and their needs based on the kind of shooting they’d be doing–wide open shots, lots of interviews, sometimes in very low lighting, with limited space while traveling light. I couldn’t help but recommend the iLED312 kit and a production slate to make sure they could sync audio in the field. They were game. Here’s a video they were able to throw together for us. Personally, I love the raw feel of the video.

http://vimeo.com/33565691

The beginning reminds me of the take away shows on la blogotheque.

 

After they wrapped shooting, they provided me with some text on the ikan gear they used and a video that showcases not only the gear but also the culture of people surrounding them.What I think matters even more here, however, is the education and experience that came with trying to document such a culture. In an interview I had with Chris upon their return to the States, I really got a better idea of the issues the town is facing and what they saw:

“Religion plays a huge part in the community. It is the telephone tree, the town hall, and the safe harbor in a storm. Though not everyone treated at the clinics is religious, someone in their family got the word through religious circles. It is hard actually to imagine Nigeria without the Church. Like family, religion is a bedrock in Nigeria in a way it hasn’t been for some time in developed nations. The Church acts as a social buttress in many ways, picking up the slack where government fails the people. It is able to pool resources and deliver them in a targeted way to the community that the corruption in government would never allow.

Alcohol consumption didn’t seem any more or less prevalent than in any other society. Due to the strong familial bonds and desire to help ones family, there was far less evidence of homelessness. That said, the utter poverty of those in the bush and what in Nigeria would pass for a dwelling could not be considered much better than Skid Row.

Corruption in Nigeria, like many places around the world, is a daily course of business. The elections were held while we were there and people were far less concerned with issues of healthcare, infrastructure, or the economy as they were about having their votes actually counted. Our first experience with this system came on the second day. At the local airport in the capital, Abuja, we were informed that we had too many bags and would have to pay an additional fee if we wanted to make our flight. Sounds a lot like the States, right? Well this bag fee came out to the nice round price of $1000. That was a bit of a shocker. Granted, we all did have the international limit of bags, half of which were stuffed to the gills with various medical supplies, but even by American standards, that was pretty steep. So we pooled our money together, handed it to Fr. Francis, and our intrepid guide went to do our bartering. Obviously that price was too high, but it wasn’t the airline, it was the cost of the additional fuel. It couldn’t cost that much for the additional fuel, but we were Americans and could afford to pay. It went back and forth like that for some time. There was much wringing of hands and gnashing of teeth, but when all was said and done, we paid a cool $350. I don’t think the good Father offered them absolution for their kindness, but I’m pretty sure things would have turned out differently had he not been in the Clergy. I’m also pretty sure that the extra money would have gone straight into the pockets of the baggage men he negotiated with.

The chiefdom is in many ways like the city council. Chiefs are people with a position of honor, whose obligation as a chief is to watch after and protect the community. It is less of a spiritual designation as it is a political one. Chiefs settle disputes in the local community, care for the sick, and allocate village resources. There are several chiefs in any given community, but like a mayor, there is one chief or “Eze” whose say carried more weight. It is said that to become a chief one must have killed a lion. This is to say the the person receiving the honor must have done something big for the community. We were extended this honor because of our commitment to the Madonna Hospital and our journey across the ocean, although our distinction is probably more akin to having been given the key to the city.

Shamanism is present in Nigeria, though less as a reaction to the heavy Christian presence in the South as much as it is an alternative for those with nowhere else to turn. Often those without the means to see a government doctor will turn to shaman or witch doctors to treat that which ails them. This of course merely prolongs treatment leading to complications down the road that are much more difficult to diagnose. The medications that are needed so desperately in Nigeria are so common in developed nations that it would be laughable if the actual conditions weren’t so dire. The medical supply room at one of the best bush hospitals was one half full shelf that any CVS would put to shame. With so many people barely able to put food on the table, it is no surprise that some would turn to the more economical, if less effective, route of spiritual healing.”

Here is their testimonial of the ikan iLED 312 kit:

“The compact LED 312 kit was really the key ingredient for shooting on location in Umuahia, Nigeria for the Lady Madonna project. Sometimes the only light that was present or even available indoors was the light we provided. The power situation being unreliable, this unit really provided just the barebones to get some compelling content we’d otherwise been without. It’s compact size travels well with batteries that hold enough charge to get us through a good day’s worth of filming. It’s ability to mount with the swivel-head either directly on the hot-shoe of my Canon 7D or to a light-stand, made it versatile and perfect for all run-and-gun lighting demands. An absolute documentary filmmaking essential. Thanks iKan!”

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Gratis 7 review ikan equipment used “in the wild” on documentary “RISING FROM ASHES”

Sometimes your product sells itself. Sometimes people like to help, go beyond the expected and act from grace. That’s the way Gratis 7 Media group is. If you haven’t heard of them, I highly recommend you go educate yourself (here’s a link). Their latest film, RISING FROM ASHES, documents the struggles of creating a Rwandan national cycling team and the life of the local peoples–in a place which many’s freshest memories are of the genocide in 1994, between the Hutu and Tutsi ethnic groups. (For a refresher on the conflict , “Origins of Tutsi and Hutu

…What’s more, they even reviewed the ikan equipment they brought with them to Africa, covering their usage (and benefits) in rugged territories. This is the video they provided us (and we didn’t even ask!) Yes, these guys are epic.

http://www.vimeo.com/17856150

“I can’t thank you enough…We literally used [our equipment] every day. The lights were used for every BTS interview and we used the small LED quite a bit as accent lights in the field. It proved to be the perfect set up for this production. We would have never had time to set up hot lights with the pace we were running…Also the monitors worked out for a interesting purpose. I was able to watch the footage from the GoPro cameras on the monitor as the camera has no way of showing the footage. It was clutch for this. Also, the one thing I was not expecting was how much we used the backpacks. They were used everyday.”

Thank you, again, TC, Jeremy, and the rest of Gratis 7 for pursuing your own dreams. They are a benefit to us all! I hope to see this piece and more inspirational projects from Gratis 7 this year.

One more thing.

We here at ikan want to wish you a happy New Year!  And once more, congratulations to our Contest Winners! Again, if you havent had a chance to view the entries, go here, or view our previous post for the top three winners.

So  remember (because remembering is so much more a psychotic activity than forgetting), if you need help leveling the playing field in 2011, ikan is at your side!
–The ikan team

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(Part III/III) Rising From Ashes: A Feature Documentary

[caption id="attachment_1375" align="alignleft" width="150" caption="The "Rising from Ashes" team's massive entourage of gear."][/caption]

(Part IPart II) Part III of the series “RISING FROM ASHES: A FEATURE DOCUMENTARY

Last week on the ikan Blog, we began our interview with documentary filmmaker/Director, TC Johnstone, regarding his latest feature entitled: “Rising to Ashes”–a powerful, well-shot, beautiful, full-of-hope documentary which captures the struggle of Rwanda’s only competitive cycling team, as they grow from grassroots bicyclists to national heroes, determined to raise high and represent their culture for the world to share.

Let’s continue:

IK: How did you develop (or find, even) a team of filmmakers passionate and skilled enough to help you achieve your vision?

TC: This is a great question. When I started Gratis 7 a few years ago it was to help filmmakers that had the character and the talent to tell great stories. We started asking filmmakers how we could help with their projects.  People caught the vision of working together and it really took a life of it’s own. It soon became a family telling stories we could have never achieved on our own.

I find that many filmmakers are lonely. It’s very discouraging working by yourself. I always encourage young filmmakers to find a soulmate. Find someone you really enjoy being with in life and on set. I’m constantly talking with networks of filmmakers. I see caring for filmmakers and telling stories of purpose as my ministry.

IK: Who are the team members of Gratis 7?

TC: Gratis 7 is a business entity. It works more like a family then a corporation. Gratis 7 is a hub that provides structure for independent contractors with similar passion and common vision to create together.

IK: Your team recently stopped by our facility to pick up some essential equipment, right before your departure to Rwanda—how well were you able to predict what was necessary? Has your selection benefitted your team’s endeavours thus far?

TC: Before we left for Rwanda my producer, Greg Kwedar and Director of Photography, Jeremy Rogers, and I road tripped to Ikan and spent the day with their team. It was invaluable for us. We were able to ask endless questions on equipment.  The challenge for us was taking the right equipment to Rwanda. With the cost of bringing equipment overseas you have to be incredibly accurate. Ikan was an enormous help with this. For instance lighting, we needed portable lights that didn’t require heavy voltage. The team at Ikan helped us design a small portable LED lighting package that worked perfectly in the field. The Ikan lights were just the right package for the DSLR’s we were shooting. And, no heat! That’s the best when you’re moving fast. I’m a big believer in “take the necessities and rely on your creativity”. Ikan helped us create an amazing balance.

IK: What do you hope to achieve with “Rising From Ashes?”

TC: My biggest desire for the film is for the world to see Rwanda as a country truly rising from the ashes. In turn inspiring us all to consider the power of hope, forgiveness and reconciliation. It’s how we choose to embrace the life we are given. It’s a beautiful example of how we can choose to live our lives.

====================END of PART III====================

Thanks to all of you, Gratis 7, for such intense work and capturing of life!

We can’t wait to see the full piece! This blog will periodically release more information as soon as it is know, such as release date, etc. Otherwise, stay tuned in and check out TC’s news on his twitter and facebook.

Cheers!

For more information:

http://vimeo.com/15464226

Gratis 7 Media Group and their latest film,

Rising From Ashes” (WebsiteTwitterFacebook).

You can also find TC at his websitetwitter, or facebook.

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(Part II/III) Rising From Ashes: A Feature Documentary

This is Part II of III in our series “Rising from Ashes: A Feature Documentary.” Read Part I HERE for a recap of last week. I’ve reposted the trailer of RISING FROM ASHES here for your convenienceAlso included are some excellent photos TC has sent us from the shoot.


It all began when TC Johnstone and his group, Gratis 7 Media, stopped in a few days  before their final visit to Rwanda. During that time, I had the chance to learn more about their collective effort and the project they were hungry to complete: “Rising From Ashes.” Since, I’ve had the luck to be graced with their time and ask some more in-depth questions since their return from shooting in Rwanda.  I hope you enjoy.

http://vimeo.com/15464226

Let’s begin.

IK: The Trailer for Rising From Ashes” (currently in production(UPDATE: post-production now) is intense and beautiful. What inspired you to begin this project—where did it all start?

TC: In 2005 I was invited to go to Rwanda with a couple of friends. We jumped on a plane and I spent the next 150 miles sitting backwards on a motorcycle, hanging out of helicopters and talking with my friends who were experiencing Rwanda from a very different perspective, the bicycle.  While in country, we met the “Rwandan Cycling Team”. It’s kind of funny to think back on that moment. I don’t think anyone would have considered them a real team.  It was a group of ambitious cyclists that were looking for a chance. Over dinner my buddy Dan said, “What if we were to give these guys a hand up?”. Five years later these same guys are literally changing a country. It’s amazing what can happen from one simple idea.

IK. Was it hard to secure financial backing for this project?

TC: Documentary is a hard genre for fundraising.  But, I’m convinced that a great story rises to the top. I tell people all the time “make a trailer”! Say it great in 90 seconds and you can get folks to consider funding for 90 minutes.  I have a good friend that once told me “money is easy to find” I’ve learned this is very true. I find that many filmmakers don’t take the time to develop their ideas into a business plan or ministry plan. I spend more time reading books on small business then filmmaking these days. Over the years I’ve found a group of successful business men that read over my ideas then blow holes in them! I’ve learned to enjoy this. I hated it at first. It’s really a stewardship issue for us at Gratis 7.  We’re been entrusted with using this money wisely within our productions and that’s a huge responsibility. Everyone on our team understands that, it’s part of our culture.

IK: Can you inform us of the current state of affairs in Rwanda? How has the country rebuilt since the genocides of 1994? What does daily life consist of for most? How much is presently at risk?

TC: To be honest, the first time I had ever heard of Rwanda was by watching the movie Hotel Rwanda in 2003. In 2005 on my first trip to Rwanda, I remember the wheels hitting the runway.  I didn’t know what to expect.  I’ve been all over Africa and Rwanda is like no other place on the continent. It’s the safest country in Africa. The place is breathtaking and the people are truly amazing. Our goal with “Rising From Ashes” is to help the world view Rwanda in 2010 not 1994.

IK: You have done much work as a filmmaker of faith—what inspiredyou to explore and share the gospel through film?

TC: In my 10 years as a filmmaker I have always been drawn to stories of redemption. There’s something about a changed life that sticks with me much longer then big explosions and green screens. Don’t get me wrong, I love a good action film but for me it’s stories of grace, hope and second chances that I think we all resonate with. It feels like our world is getting more and more callus. I hope my films will leave audiences feeling a sense of hope and purpose for their lives. For me, that’s found in Christianity. I think people who are living out their faith in a sacrificial way to help others is the true testimony of our faith. Whether we agree with them or not, people respect that a lot more then saying one thing and living another.”

====================END of PART II=====================

Thanks to TC and the whole crew for inspiring us so. I will be posting Part III/III of the “Rising From Ashes” Documentary Interview on next Monday.

Cheers!

For more information:

Gratis 7 Media Group and their latest film,

Rising From Ashes” (WebsiteTwitterFacebook)

You can find TC at his websitetwitter, or facebook.

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Rising From Ashes: A Feature Documentary Part I/III

Documentaries are capable of bringing masses of people an intimate connection to some one person or event or place. They are an integral tool for us as filmmakers—they give voice to culture outside ourselves, as audience members, sharing this world. And they can be compelling.

Gratis 7, as per their website, believe “out of our relatioships…great ideas are developed and produced” and rightly so, with the inception of their newest film, “Rising from Ashes,” a story of Rwandan Cyclists fighting all odds to speak the voice of their country–and country’s own struggle to rebuild their image after years of genocide. You can read more here: Gratis 7: Projects.

Trailer for RISING FROM ASHES:

http://vimeo.com/15464226

After speaking with them, I had the chance to set up a separate interview with the leader of the group, TC Johnstone, and ask some poignant questions regarding: his experiences shooting the film, and what breathed life into the project. I will be posting the first part of the interview here, on Monday, for your education enjoyment.

But for now, let me leave you with some photos from the shoot and the trailer for the film, and some notes on his equipment usage:

NOTE: Gratis 7 left for Rwanda equipped with VX7‘s, Multi K‘s, our ID500 Lighting Kit,  ID400, and ikan’s Traveler Bag.

[gallery order="DESC" columns="4" orderby="ID"]

“I can’t thank you enough…We literally used [our equipment] every day. The lights were used for every BTS interview and we used the small LED quite a bit as accent lights in the field. It proved to be the perfect set up for this production. We would have never had time to set up hot lights with the pace we were running. “

“Also the Monitors worked out for a interesting purpose. I was able to watch the footage from the Gopro cameras on the monitor as the camera has no way of showing the footage. It was clutch for this. Also, the one thing I was not expecting was how much we used the backpacks. They were used everyday.”

 

That’s awesome. I’m glad we could be of such aid to you guys!

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For more information:

Gratis 7 Media Group and their latest film,

Rising From Ashes” (Website, Twitter, Facebook)

You can find TC at his website, twitter, or facebook.

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