Tag Archives: ikan elements

Introducing… The Spotlight Series

Normally, on Tuesdays you would receive a ‘Tip of the Week,’ but this week, we’re mixing it up just a bit to bring you a brand new highlight… the ikan Spotlight Series.

One of the great things about writing for ikan is the broad fanbase for the company’s always growing product line.  Throughout that fanbase, we have a wide variety of content creators in various disciplines, from diverse backgrounds.

In this new featured series at the ikan news blog, we’ll begin highlighting video content creators from a variety of disciplines regarding their thoughts on the industry, the equipment they use and at least one of their recent pieces to showcase their work.

Even better, if you’re a current content creator, we’d love to have you submit yourself, your company or your work for consideration as a featured spotlight series personality!

Just post a comment and we will get back with you ASAP.  No promises, but the more people we can have to pull from, the better!

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Top 10 Video Making Resources

Everyone loves a ‘Top 10′ list, right?  Well, let’s throw just one more onto the pile, with our listing of the Top 10 Pro Video Resources available to professional content creators, right now.  These are all resources that I have personally used or have had several trusted people recommend to me.

So, without any further ado, let’s move right into the list!

1) NoFilmSchool.com – So, what makes this blog stand out from the rest?  More than just a news aggregator, this blog provides whole sections devoted to subjects like DSLR Cinematography (actually, an entire E-Book exists for this one) and How to Build a Hackintosh.  In addition, the blog provides other articles regarding subjects as varied (and valuable) as Time Tracking for Creatives all the way to Tips for Building Buzz for a Web Series.  Each article is meticulously researched and written clearly and concisely.  It goes without saying that the value of many of these subjects can not only be of a monetary nature, but can alter the strategic direction of your content creation business and multiply your output/profits. I had the opportunity to have drinks with Ryan Koo, the primary writer behind NoFilmSchool and it was enlightening, to say the least.  To sum it up, I would equate him to the Tim Ferriss of the filmmaking set… someone who clearly and easily shares the results of his own experimentation in (creative professional) lifestyle design.  Not a blog to be missed.

2) “Making Videos for Money” by Barry Hampe – A solid collection of tips for the burgeoning video maker.  Of course, it just scratches the surface, so more reading from other business-minded books is required, but it’s a solid start.

3) Cheesycam.com – Who likes saving money on video gear?  Emilio and his crew post a wide variety of DIY tactics regarding DSLR videography and more.  His links generally include some of the most affordable tools on the market. Not for the faint of heart!

4) NextWaveDV.com – Reviews, Tutorials and more make this a solid video blog for the growing video maker.  I’ve benefited greatly from the variety of resources there and with the new focus on covering trade shows and spotlighting the latest gear, I have been more than impressed with Tony and Sean’s striving for excellence in the content they put out there.

5) VideoCopilot.com – Tutorials and Plug-Ins for the After Effects video artist.  Almost everybody has heard of this site by this point, but it doesn’t hurt to mention it.

6)

 

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Tip of the Week: Elements Accessory Platform

[caption id="attachment_1427" align="alignleft" width="300" caption="ELE-PT and ELE-15QRDA with the Sewell HDMI Splitter and custom "AA" battery pack."][/caption]

The Elements from ikan.

For many, they signify a series of kits that are made up of various parts from a larger ikan catalog, not really meant to be considered as individual parts, but rather as kits to choose from.

Coming out of a production background in which customizing your rig to suit your exact needs is a way of life, the Elements have appealed to me for quite some time.  With their continued evolution, the ability to mix and match parts is invaluable for one seeking a their own ‘perfect rig.’

As I continued to build up my own rig, I found myself needing a few parts that I could not find anywhere else, at a budget range to quality ratio that made me comfortable.  Of course, one can always spend $400 a find a beautiful bracket for their needs, but who wants to spend that much just to attach a piece to 15mm rods?  Instead, I found the following solution to be extremely helpful:

Taking an ikan Quick Release Rod Adaptor (ELE-15QRA) and attaching a standard ikan Cheeseplate (ELE-PT) gave me a stable, quickly removeable platform for an accessory I had purchased a while back, but not yet found a way – to my liking – to attach to my rig.  My Sewell-Direct HDMI Splitter and the small custom battery pack ($1.95 at an electronic parts outlet in town) mounted via Velcro tabs fit nicely to the Cheesplate.  Popping off the top of the Sewell splitter and inserting two rivets through the body was no problem and within minutes, the HDMI splitter itself was permanently fastened to the Cheeseplate.  This gave me a flexible piece that could securely lock onto my rod system, but still be removed with minimal fuss, if need be.

This “accessory platform” can be underslung as well, providing for multiple ones to take up less space, if need be.  This is especially useful for those using on-board audio solutions.  A wireless lav or H4n Zoom can be attached and ride up top while an HDMI splitter or other accessory rides below.

This solution seems to be pretty solid.  The dual outlets of the Splitter have some overlap on their side, to allow me to fasten down each connection, hopefully preventing any snags or jerks that could hurt the outputs on the splitter.

All in all, the Elements accessory platform, with HDMI splitter, seems to be pretty solid.  I am looking forward to testing it out on a shoot next week, and that should – hopefully – provide some notes.  My own application aside, there are a lot of possibilities with the Elements line, apart from the standard kits.  In my eyes, the growing collection of kits are just a starting point… a springboard, if you will.  From there, the  various combo’s one can create are literally endless.

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NAB 2011: The Wrap-Up

[caption id="attachment_1398" align="alignleft" width="249" caption="NAB... a trade show like no other."][/caption]

So, we are back, somewhat unpacked and finally decompressed from the mad dash, frenzied marathon that is NAB.

All the prototypes are safely back in the “fab lab” and every sales rep safely nestled back in their offices.  And it gives us just a bit to think about… actually, more than a bit.  NAB is like trying to drink out of a fire hydrant… both during the actual show and after hours, with all the shooting and late-night carousing that went on.  It’s an interesting phenomenon to watch at play… a wide variety of motives coming together with the driven purpose of the event to provide the perfect blend called community.

This gathering of like minds is a phenomenon that spans from niche to niche and is always fueled by passion, drive and encouragement.  Are there disagreements and is there friendly, even perhaps fierce, competition?  But, of course.  Business is business, after all.  Whether a blogger, a manufacturer or a filmmaker, there is always a sense of desiring to better oneself.  That being said, it was immensely positive to see the vast majority of people enjoying the variety of events during and after the show.

All given, wasn’t there a mention of a wrap-up?  ;-)

EXHIBITORS

ikan had an impressive line-up of new products, a booth the blew last year’s away and was a major stopping point for most press/media, as well as end-users.  On a personal note, I was most excited by the introduction of baseplates and black aluminum thumb nuts to the Elements product line.  Those two moves signal a new evolution for the camera support line and ikan should have some very interesting  new pieces arriving shortly.
As for other offerings, ikan’s Production Manager software suite was of great interest to at least one leading blogger. Ryan Koo, of NoFilmSchool, stated, he was “excited to see one (tablet-based production software) coming to market soon.”

Zacuto and JAG35 each brought respectable new offerings to the table.  The DFocus Mattebox from JAG35 came in at $299, for the basic lens-attached version, with an impressive build quality while the sleeper hit was the Scorpion rig from Zacuto, which has to be one of the nicest, strongest shoulder support units for DSLR shooting out there (ikan’s are pretty sweet, too ;-) .

Teradek had the rockingest booth, with their live streaming entertainment, utilizing some of the biggest names in DSLR cinematography as hosts for a revolving talk-show format.  It proved to be one of the main attractions for manufacturers, press/media and end-users in our niche.

Cinevate, OConnor, ECC (whose Binary rig was spectacular and spectacularly heavy) all had nice offerings as well.

In the post-production world, It was interesting to see Adobe’s answer to the new Apple Final Cut Pro environment, with the release of Adobe CS5.5.  With as much conversation as there has been over the new Final Cut software, it would be unproductive to go into it all other than to say that I had purchased a ticket when I heard Kevin Smith would be there, but then ignored the event when he got canceled.  Red Giant and Avid were also present, each with interesting new offerings.

From the point of view of the manufacturer, if I may state, the event is like no other.  By the end of it, you are exhausted, hands down.  My feet have never hurt (even on some of the harshest film sets) as bad as they do after NAB, especially this year with less than comfortable shoes.  At the same time, when the show goes well, you are excited.  For ikan, it was a great year.  Sales out of the home office were up, there was a lot of positive buzz around the brand, our CEO was very happy with the results and all the new staffers who attended got a lot of food for thought.

BLOGOSPHERE

Having gotten to know several of the bloggers in our niche leading up to the show, it was interesting to meet them all in-person and watch how the show coverage shaped up as the week went on.  A couple of standouts did emerge, though, and it is worth noting to delve into how they did what they did.

First off, it is a tremendous job to cover a show like NAB.  It is huge.  Two of ikan’s brightest new recruits were continually surprised at the sheer scale of the show and how it far outshone anything they had expected.  During a brief few moments of down-time, they shared that neither had expected the show to be anywhere near the size it turned out to be.  Even after having been briefed as to the size of it, they were still somewhat shocked.

CineDigital.tv, which ikan sponsors, was a rockstar in the method of coverage and the discipline it took to stay on-track.  With a team of just one, Jose Tamez was able to keep up with the continuous coverage providers, like FreshDV.com and NextWaveDV.com, with each of those teams having 5 and 2 team members respectively.

That being said, NextWaveDV.com‘s coverage proved to be a solid, well-rounded experience for anyone watching.  Tony Reale and the unsung VIP of the team, Sean Bowers, hit every booth imaginable, providing insightful, in-depth reporting that bodes well for their blog’s future.

Of course, it goes without saying that the FreshDV.com coverage, the WideOpenCamera.com coverage, the Planet5D.com coverage and the Cinema5D.com coverage (in addition to the host of others out there) would be outstanding.

IKAN’S COVERAGE

Make sure and check out the video from ikan, covering just a few points of interest, with Day 1 here and Day 2 here.

CONCLUSION

Again, it was an interesting mixture of personalities and events.  Such a jam-packed mixture of different experiences and catching up with familiar faces.  Of particular note, not mentioned elsewhere was the chance to catch up with Mike Chenoweth of Reel Classroom, Steve Roche of Digital Juice and TC Johnstone & Greg Kwedar of the Gratis 7 Media Group, the filmmakers behind “Rising from Ashes” who are now being featured in the ground-breaking new Zacuto Films web series, “bts.” (which is a hit, phenomenal series, right out of the gate – hats off to Steve & Jens for what they did with this one).  And kudos again to the Zacuto Films bunch for this nice little heap of lovin’ they shared that was all about… “love.”

All-in-all, it was a solid year, with more than a fair share of exciting news.  One can only imagine how the industry will continue to evolve and shape up in the coming months.  Can’t wait to do it again next year (though it will be from a somewhat different perspective)!

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Tip of the Week: Dual FF Recoil

[caption id="attachment_1356" align="alignleft" width="150" caption="One satisfied customer got to experience the famous ikan customer service!"][/caption]

Sometimes, you just need to get the most out of your shoulder rig!  In the case of one lucky ikan client who lives near the home office, he got a brief workup that ended up by ikan’s Daniel Contreras, which provided dual FG Follow Focus Cine Kits on a Recoil XT base, giving him complete control over focus and zoom without his hands ever needing to leave the handles!

A single 24-inch iris rod across the front provides added stability for your handles, while the handles themselves provide a conduit for the focus whips to go through.  This allows the focus whip knobs to rest just below the end of the handle, providing the ability to operate both focus and zoom easily without ever needing to let go of the handles.

[caption id="attachment_1360" align="alignleft" width="150" caption="A VL7 provides the perfect finishing touch for a brand-new ikan rig!"][/caption]

Using the Recoil XT as the base, ikan sales rep Daniel Contreras then added a variety of Elements parts to build out the front section.  Included were additional 15mm Rod Adaptors to allow for the necessary clearance so that the focus whips could go down through the center of the grip handles.

To top off the rig, Daniel added the brand-new VL7 HDMI Monitor with a Sony battery plate attached via the included shoe mount, which allows the operator to take full control of the precision focus/zoom controls.

Now, to some, the rig might seem a bit excessive, but there are benefits to this kind of a set-up and even a shooting situation or two where I could see it being of benefit.

But, as always, we’d love to hear feedback from you… does this seem practical?  Does it seem like something that could be of use?  Or does it seem a bit unwieldy?

Or better yet, how would YOU improve on the design?  ikan is famous for taking customer feedback and incorporating it into the design of the next generation of products.  Do you have a revision or suggestion that could make the cut for the Elements line?  Let’s hear it!

[caption id="attachment_1361" align="alignleft" width="150" caption="The offset grip handles allowed for the focus whip to thread neatly down the middle of each handle."][/caption]
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ikan’s FG Follow Focus–For the Pro in You

Maybe you’ve had a chance to hear the rumors==the answer is YES! ikan now has a fixed gear Follow Focus for your cinema rig. We are now accepting pre-orders.

Our Press Release, thanks to Brian Upchurch, follows:

Marketing Department
3903 Stoney Brook Dr.
Houston, TX 77063
Phone // 713.272.8822
Fax // 713.995.4994

New Product Announcement: ELE-FGK

Get Focused

Introducing the highest quality geared follow focus in its class. ikan’s FG Follow Focus offers precision machined aluminum construction, light weight design, beveled dry erase marking disk, and is compatible with all ikan Elements kits and/or any 15mm rod-based camera support system. Driven by a 2” diameter control wheel, the FG Follow Focus features low backlash and is compatible with standard film pitch gearing of .8 MOD supported by a 2.3” diameter focus gear. The horizontal adjustment feature accommodates a wide range of DSLR lens diameters and is complimented by a focus mark indicator and lockable focus control.

Reaching Out

The included 17″ FG Follow Focus Whip features vinyl covering and a crank stability grip for smooth control. Utilizing ikan’s compact square connector, the FG Whip provides leverage over distance and smoother focus pulls all around.

Crank It Up

Our 2.3” FG Follow Focus Crank Knob provides rapid focus, allowing you to move from focus mark to focus mark at a high rate of speed.  Fitted with ikan’s compact square connector, The FG Crank Knob offers fast and accurate control.

Get It In Gear

Also in the box is a pair of 2.5” to 4.25” diameter adjustable zip lens gears. Complete with two no scuff, non-slip lens gear liners; your DSLR lens is protected and ready to pull focus.

FG Follow Focus Cine-Kit Includes:

  • FG Follow Focus
  • 17” FG Follow Focus Whip
  • 2.3” FG Follow Focus Crank Knob
  • 2.5” to 4.25” Diameter Adjustable Zip Lens Gears (2)
  • No scuff, Non-slip Lens Gear Liners (2)

For information and images, please visit:

ELE-FGK

Watch Cinema5D’s Jared Abrams review ikan’s FG Follow Focus Cine-Kit.

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For Additional Information, please contact:
Brian Upchurch
713-272-8822
brian@ikancorp.com

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